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Adobe After Effects 6.5 Magic by James Rankin, Anna Ullrich

By James Rankin, Anna Ullrich

Animation Presets, a sophisticated Clone instrument, scripting help, and a strong new colour correction method are only a number of the purposes you are chomping on the bit to get right down to paintings with After results 6.5. In those pages, a grasp of the medium permits you to do exactly that, proposing a chain of tasks that discover each point of Adobe's animation and results powerhouse. by means of targeting the components that may be frustrating for pro clients - even if simply because they current thorny concerns or simply because they draw on thoroughly new positive aspects - this quantity offers the centred, functional guideline you want to maximize your After results productiveness. each one lesson offers need-to-know information, confirmed thoughts, and most sensible practices for a number of After results 6.5 features: from uploading and coping with pictures to viewing and enhancing layers, animating variety, and extra. The better half CD contains QuickTime educational video clips, resource code, and records for all the book's tasks.

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Changing the text for the purple section [View full size image] 30 31 Save and preview your work. ). Animating the effects The client has given you their company logo: a beveled script text on top of a flat sans serif font. You'll make the logo come alive by animating the type's bevel, which is courtesy of a layer style that was applied to the logo beforehand in Photoshop: 1. 97, and Duration 5;00 seconds. 2. Open the Layer Effects comp from the Graphics folder in the Project window. The timeline for the Photoshop layer style [View full size image] 3.

Select the FORM layer, and press the [ key to move the In point to the current time. 4. Press 3 to return to the composition marker at time 5;18. 5. Select the FUNCTION layer, and press [ to move its In point. Switching the timing on the horizontal and vertical text [View full size image] Looks goodbut it's a little too boxed in comparison to the green and orange sections, which use the small square solid to break up the square shape the other elements create. Never fear, though; there is a simple solution: 61 62 • At time 4;10, set the Transition Completion keyframes for both the Horizontal Bar and the Vertical Bar layers to 0% so the solids extend beyond the screen.

Select the last three keys, and drag to the CTI. ) Altering the linear wipe to work with the new text [View full size image] 57 58 Save your work, and close the composition. The purple section You're almost finished with the main sequences: You just need to take care of your friend Purple. Although the layout of the purple moving squares background is more similar to the original orange section, you want to reuse the photo cross fade you created in the green section: 1. Duplicate the Section2_Green comp, and rename it Section3_Purple.

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